All Sondheim Volume 2 Book.pdf z1e2t

XEPHEN SONDHEIM STEPHEN SONDHEIM (Composer) wrote the music and lyrics for SUNDAY IN THE PARK WlTH GEORGE (1984), MERRILY WE ROLL ALONG (1981). SWEENEY TODD (1979), PACIFIC OVERTURES (1 976), A LITTLE NIGHT MUSIC (1 973), THE FROGS (1974), FOLLIES (1971), COMPANY (1970), ANYONE CAN WHISTLE (1964) and A FUNNY THING HAPPENED O N THE WAY TO THE FORUM (1 962), as well as the lyrics for DO I HEAR A WALTZ? (1 965), GYPSY (1 959) and WEST SlDE STORY (1 957), and additional lyrics for CANDIDE (1973). SlDE BY SlDE BY SONDHEIM (1976), MARRY ME A LITTLE (1981) and YOU'RE GONNA LOVE TOMORROW (originally presented a s A STEPHEN SONDHEIM EVENING on March 3,1983) are anthologies of his work as composer and lyricist. He composed the film scores for STAVISKY (1974) and REDS (1981), songs for a television production, EVENING PRIMROSE (1966), and co-authored the film THE LAST O F SHEILA He provided incidental music for Broadway's TWIGS (1971), GIRLS OF SUMMER(1956) and INVITATION TO A MARCH (1961). He won Tony Awards as Best Composer and Lyricist for SWEENEY TODD. A LITTLE NIGHT MUSIC. FOLLIES and COMPANY. All of these musicalswon the New York Drama Critics' Circle Award, as did PACIFIC OVERTURES and SUNDAY IN THE PARK WlTH GEORGE, the latter also receiving the Pulitzer Prize in 1985. Mr. Sondheim was born and raised in New York City and graduated from Williams College, winning the Hutchinson Prize for Music Composition. After graduation he studied theory and cornposition with Milton Babbitt. H e i s o n the council of the Dramatists Guild. the national association of playwrights. composers and lyricists, having served as its president from 1973 to 1981, and was elected to the American Academy and Institute of Arts and Letters in 1983. Photo: FlNN CHWFlTSKY

ALL MUSIC AND LYRICS BY STEPHEN SONDHEIM

Contents All Things Bright And Beautiful . . . . . . . . . . Marry Me A Little Fear No Mom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Frogs Finishing The Hat . . . . . . . . . . Sunday In The Park With George Girls Of Summer. The . . . . . . . . . . . . . . . . . . Marry Me A Little Glamorous Life. The . . . . . . . . . . . . . . . . . . A Little Night Music Good Thing Going . . . . . . . . . . . . . . . . . . Merrily We Roll Along I Do Like kbu . . . . . . . . . . . . . . . . A Funny Thing Happened On The Way To The Forum Invocation And Instructions To The Audience . . . . The Frogs Isn't It? . . . . . . . . . . . . . . . . . . . . . You're Gonna Lwe Tomorrow Little White HouseIWho Could Be Blue? . Marry Me A Little Marry Me A Little . . . . . . . . . . . . . . . . . . . . . . Marry Me A Little Not A Day Goes By . . . . . . . . . . . . . . . . . Merrily We Roll Along Old Friends . . . . . . . . . . . . . . . . . . . . . . . . Merrily We Roll Along Silly People . . . . . . . . . . . . . . . . . . . . . . . . . . . Marry Me A Little So Many People . . . . . . . . . . . . . . . . . . . . . . . Marry Me A Little Sunday . . . . . . . . . . . . . . . . . . Sunday In The Park With George Take Me To The World . . . . . . . . . . . . . . . . . . Evening Primrose Uptown. Downtown . . . . . . . . . . . . . . . . . . . . . Marry Me A Little What Mom Do I Need? . . . . . . . . . . . . . . . . . .Marry Me A Little

Vocal Selections Prepared By: PAUL McKl661NS WARNER BROS. PUBLICATIONS All Rights Reserved Any duplication. adaptation or arrangement of the compositions contained in this collection requires the written consent of the Publisher. No part of this book may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law.

g k o m the dusicaP kodu~tion " 3 h e %ogs"

by Stephen Sondheim

d a i c

Molto rubato

I

I

f ad lib.

-..ALL--

md g Y h i c s

(To the heavens)

Gods

of the thea - ter,

smile

on

us.

-

You

who sit

up

there

You who look down on

0 1974 RILTING MUSIC CORP. All Rights istered by WB MUSIC CORP. All Rights Reserved

stem

in

judg - ment,

Smile on

us.

' (spoken) act - ors (And who doesn't?), Bless this year - ly

fest - i - val

and

I

I

smile

on

us.

rites

and

rev

,I

-

for

I

i

this

We

- els.

a

I

I

I

- fer you

-

who sit out there

I

Invocation And Instructions To The Audience: 2-15

dance,

grace and beau

We

- ty.

Smile

.

o f - fer you

on

us

on

us.

(To the audience)

A

while.

You

song a i d

of - fer you

We

I

c'

of

I

I

I

1

I

1

I 1

Gods

of the thea

stem

in

judg

-I

9

- ter,

- ment,

I

I

smile

Smile on

us.

I]='

l

We

gods and her

-

oes.

We

of-fer you

of-fer you

jokes and

of - fer you

paeans and

and

rev

-

els.

pa - geants,

bacch-an - ales

and

of-fer you

bacch-an - ales

and

-

1\-

We

in

- sults.

We

lI

so - cia1 com - ment.

Bless

our

play

and

smile.

1

so - cia1 com - ment.

Bless

our

play

and

smile.

I

rites

Invocation And Instructions To The Audience: 3-15

Yes,

but

puy

sa - ue - q d o ~ -

'qsno:,

s! -

1y JOJ

1,uop

pads - a1 auros

aAeH

ase a16

:sl'uop

I

'sl,uop pue s'op auros

thea- ter is a tkm -pie, not all have- n.'t oiled the seats

life word

If

and of

see

A You

gym. week.

part from be - ing per - i - lous t o would-n't want to miss a sing- le

a may be in the mid -dle of hard en -ough for us to hear each

limb, We Greek - It's

YOU

a

flaws,

Invocation And Instructions To The Audience: 5-15

please,

No

loud

sac - red 0th - er

guf - faws,

hymn, So speak - So

please,

I

On

-

ly

be

- cause,

please,

There are

po

-

li

- ter ways.

I

for

A1

- though we

ap

- plause,

please,

we1 - come praise,

Invocation And Instructions To The Audience: 6-15

When

The

ech

there's

- o

a

some -times

pause,

lasts

please.

for

days ...

f A

-

I

-94'

Days ... days ... days ...days ...days ...

I

I

I

DI

I

I , I I

I

I

#

#

I

#

I , I I I

I

Don't

days ... days ... days ... days..

take

I

v

I

I v

#

notes

I

dim.

I"

show us all you kndw the fa - mous

clear

I

n

-

your

r

4

-

7 C

t

P

sub.

-A I

I

d

1:

And

throw your crump-led pro - grams,

throats

w

I

4

quotes,

t

Invocation And Instructions To The Audience:

I

-

1:

when you dis - ap - prove, don't

coins

and

coats,

d

I

I

1:

r

i

?

-

I

u

an - y -thing that splat - ters, tell your neighbor scin - til- lat - ing

stains or floats, And an - ec - dotes,

grass.

please -

This

is

a

class - ic,

don't

curse.

class.

If

we should get rhet

-

or -

Invocation And Instructions To The Audience: 8-15

i - cal,

Please

not

a

If

1

I

if,

we should get

by a sud

I

I

- den

sa

-

mir

tir

- i - cal, Don't

- a - cle, A

hum

Invocation And Instructions To The Audience: 9-15

take

tune should ap-pear that's

A

- long.

it

wrong.

lyr

- i

- cal, Don't

And

I

I

1

When we are wax - ing

hum - or - ous,

jokes are ob-scure but

num - er - ous...

Please

don't

wane.,

-

-

Invocation And Instructions To The Audience: 10-15

We'll

ex

-

plain.

The

sig

- nal you when we're

ser

- i

- ous

(It's

in

the

s e c - ond

half ...)

>

I

I

But

first:

Please

don't

strip.

Please

~t's

don 't

leave.

It

tnp:

+

The

grieve.

auth

We

may have some-thing

Invocation And Instructions To The Audience: 11-15

- o r could have been bet

hot

but

o n - Zy

I

-

Eur

ter

-

it's

a

plea

makes the

i up

pi

our

-

- sure

-

ors

des.

So

sleeve,

So

act

please, please,

missed the

A

I

Don't Don't

plot

(Of

~bn't

strip. leave.

which I must ad - mit there's not an

(mouthed)

,

don't

Invocation And Instructions To The Audience: 12-15

Say,

"What?"

say

"What?".

aw

-

ful

(spoken)

What?

lot),

Still

Do

not

She's

there

in

.

we

Let's not

be

-

trude,

please,

for

mood,

please,

are

crude,

please,

too strait - laced -

Invocation And Instructions To The Audience: 13-15

When

some -

one's

And must - n't

Don't

The

auth - or's

sit

nude,

be

and

rep - u

please.

em - braced.

brood,

-

ta - tion

please.

is - n't

I

I

I

I

m J

based

On

don't

I

should we get

be - ing

fart

Ev

So

-

of - fen - sive,

smart.

taste.

-

Invocation And Instructions To The Audience: 14-15

don't lose

heart,

en- tual - ly we'll get

Pre

to

-

tend it's just the play - wiight

the cath - ar

- sis,

and

de -

I-

n

part.

now ...

So

But

(Thunder and Iigh tning) I

I

I

r

r

-

I I

I

I

I

I

I

I

m ,

-

T

r

first ...

I

-

"P I

I

We

start.

Invocation And Instructions T o The Audience: 15-15

I

t

I

I

4

and &ky'~~is by Stepken Sondkein

dhic Andante ( J = 144)

1

Or - din-ar -

--

Id

y

(Continue in octaves)

Keep the house and

O 1973 WTLNG MUSIC, LNC.

All Rights istered by W B MUSIC CORP. All Rights Reserved

moth - ers

lead

Mend the clothes and

I

or

- din-ar

the child - ren.

tend

Or - din-ar -

y

moth - ers,

like

I

-

y

wives,

Make

:the beds

and

nt.

bake

the pies

and

- er on the vine. Not -.,"----.-.--------------------

with

2

r h.

P

I

The Glamorous Life: 2-1 7

-1

rit. I

I

A.

I.

1

Allegro (

I

J = 176)

mine.

I

p legato

I

glam

-

or

- ous

life !

re

73'The Glamorous Life: 3-1 7

-

cite,

What

a

I -

glam -

or

-

ous

life!

I

I

Or - din- ar - y moth-ers

nev

-

(

Or - din - ar - y moth-ers

nev

- er

I

Or - din - ar - y moth-ers

The Clamorous Life : 4-17

I

er

could - n't

get

get

cough

the

the

for

1

flow -

ers

and

urs,

main -

joys.

ho

I

-

I

1

tain

-

A

a

-

wants

I

Some

ing

their

poise.

when

she

wants.

-

I

-

times

The Glamorous Life: 5-1 7

it's I

rl

I

I I

lAne

---IY, rl

-

-

I

I

I 1 4 1 I

I

rl

but

I

I

w

I

she

-

I

meets

I

I

I

rl

rl

man

-

-

y

-. I

c,

1

L

I

11

:

I

hand - some

1 I

I

ar - y moth-ers

n

I1

U

n

II

r

I

es

But

I

I

don't

I I I

-

cas

of

I

I

go

diff

- 'rent

I I I

u

1

n u

I

I

pla

-

ces,

Which

I I

d The Glamorous Life: 6-17

-4. -

out

live

I U I

I

I

don't

\ Y

-

I

O L. -

--4.-

Or - din - ar - y moth-ers

or - din

I

I

gal - lants.

dm-

c,

I

I

I I

I

I

4' u4

I

I

I

they.

The Glamorous Life: 7-17

.

,

Mine's

a

And

she's

-

I

way,

real

-

in

a

er

than

L'istesso temvo

What

I

cos

What

least

if

- tumes

if

gets

her

un

her

to

broach

-

rav

-

On

-

ly

glass

And

her

sec

- ond

class?

She

at

el?

coach

trav

is

-

is

el.

cresc. poco a poco

D

I

w

dl

I

some - t i m e

And

-

I I

I

-

w

I

I

Some - time

new place

I

I

I

this

I I

-4

r

sum

-

I

sum - mer,

this

I

/

I

I

-w

-

I I

rl

May -

mer,

I

I

1

I I

m

be

Mean - ing

.

I

-

rl

June,

- -

-

i

I'm

the

I

1

rl

she'll see.

-

I P

I

I I

d

r r

I

I

rl

2 The Glamorous Life: 9-17

I

I

-*

rl

--t

r r

I I

Or - din - ar - y daught-ers, may

\

-

-

V

,J

think

I

I

Or - din - ar - y moth - ers

near

them

-

sel

- dom

I

or - din - ar

(

clos - ing

y daught-ers

re - views.

-

The Glamorous Life: 10-1 7

life

is

-

bet

ter

-

with

I

I

when

they

get

a

choose.

let

-

But

ter

en -

1

Gay

I

I

1

gla

and

re

- mor - ous

Speech

-

es

-

sil

- mor

-

The Clamorous Life: 1 1-1 7

ient,

with

ap

-

plause, .What

a

Shaw's, What

a

life !

are

brill

ous

life!

-

gla

-

- iant

If

they're

I

Or -din - ar - y moth-ers

or -din - ar

1I

need - n't

meet

com

-

mit

- tees,

But

ies.

No,

-

-y

moth-ers

don't

or - din - ar - y mothers

get

keys

to

mere - ly

see

their

1

cit

-

child - ren

dim. poco a poco

I

U.

I

\

I

I

I

r

C

1

I

I

m

I

I

r

Which

I I

I

The Glamorous Life: 12-17

all

is

love -

ly,

I

9 90gibe ' y o u Moderato, with a swing (

d = 88)

Good friend-

I'

II

Oh, to -day it's

I

you.

When you need

a

and

"friend ..."

want-

I

true,

do,

friend.

O 1962 (Renewed 1990) by. Stephen Sondheim BURTHEN MUSIC COMPANY, INC., owner of publication and allied rights for the world CHAPPELL & CO.. Sole Selline Agent All Rights ~eserved. used 6 y Permission

Want -

to

-

ship

"friend ..."

Yes, it's a1 -ways

to

wor

be

Like-

my

Do

friend.

I

II 1'

what-

you

"Friend, friend, friend, friend, friend.. ."

just

Well, good-bye,

I Do Like You: 2-10

Be

old

-

friend ...

ing-

must.

I'm

That's what I

a

co - py

of

in -

the

'

hap

-

tend ...

one

I

PY

PSEUDOLUS:

You climb

a tree,

You take

a jour - ney,

I Do Like You: 3-10

I

climb with

I'm

you.

with you.

You-

What-ev

give

-

a smile,

er you

do,

I

smile.

I'll ... -

I

I

1

No one

You're all

I

do

is per - fect, You - have your f l a w s l ~ u t

the things

like you

I

most

Be - cause I

ad -

mi - re,

do like

you.

I

All

don't-

I

care.

as - pi - re

.

to. -

PSEUDOLUS: m

I

I

I

L

I

I 1

I

a

And

I I I

the best

I

.L

1

you

HY STERIUM :

e Friend,

I 1

have ...

You've

Yes,

touched-

No,

know

I D o Like You: 5-10

you nev -

me

er

I

thought

I

would ...

I

SO.

did

-

n't

d o ...

Such

deep-

de

-

vo

-

tion-

ex

-

is

-

ted-

and

Deep - er than

you

think ...

die ... .

You don't have to

H. rath

I

1

an

er

say-

good-

feel ...

know how you

Friend, just -

bye.

"

-

I

as

soon

as

I

get

1'11

back,

I

I

cry.

I Do Like You: 6-10

I

I

I

PSEUDOLUS:

h

1

I

h

I

1

rl '

We each

I Do Like You: 7-10

have had

-

I

I

I

rl

I

a

I

I

I

fling

m

I

or

I

-

A.

two

h

l

h

rl'

I

I'

I

-

h

I

'

I

I

I

rl

I

uNo bo - dy knows but

-

we.

You tell

V

a

se

- cret,

I

-

Since you're the mod - el

I have

I Do Like You: 8-10

to do

2

like

tell

I

I

you

a

I

take

se -'cret

Twice

af - ter

That's what

like -

as - good.

I

On-ly

I'd have

be -cause

do -

to

I

do

like -

I

you.

--

rit.

-

I

I

I

1

-

Rubato

,

Re- ci - pro-ca - tion

in

the

end

is

why

a friend is

true.

A tempo

1

How could

( I Do Like You: 9-10

I

ev -

er

doubt

you,-

Know-ing

so much

a

-

bout

A

1

,I

molto rit.

(BOTH):

I

like you

do

And

still

.I

a tempo

like

do

mll. a1 fine

-

I Do Like You: 10-10

you.

ten. I

I

I

I

-

I I

-

Jot

d (Day

CBy

goes

Asic and Lfgnics

by

Stepken Sondkeim

I

P

1

I

a tempo

a tempo, molto rubato

Not A Day Goes Not A Day Goes

not not

By, By,

you're not some -where but you're some -where

O 1981 RILTING MUSIC,INC. All Rights istered by WB MUSIC CORP. All Rights Reserved '

a a

part part

of of

my my

life life

a a

sin gle sin - gle

day day

,-

and and

I it

need you t o stay looks like you'll stay

As t h e d a y s As t h e d a y s

go go

I I

by, by,

keep think keep think

- ing

when when

- ing

does does

it it

end,end, -

u I

8

-

I

u\

that

it

-where's the

can't day

a tempo

A

I-

/

c7 / ~ b

Bbmaj 7

-?-

bet - ter think - ing

get much I'll have

poco accel. -9-

and strong - er and sweat -ing

and and

bet start

- ter - ed

much long for - get

3

deep curs

3

- er - ing

and and

near cry

-

er, t i n g ?

a tempo

ri t.

- er

- ing

but . But

it

I

on just

-

skp turn

- ler - ing

gets on

poco cresc.

7 - 3

and and

ly go

7

and fre - er and and reach - ing and

BY, BY,

not not

a a

bless - ed bless - ed

day day

but you some -where come but you're still some - how

Fmaj 7

crfsc.

D 7sus

And I have So there's hell

Gmaj 7

D # ~ G

Bm 7

P I I'll

'dim.

Not A Day Goes By - 4

'

,

rit.

D 7sus a tempo 7 3 -

day day

want die

/it.

1P

af af

la temno

G6 a ternno

..:.

if and

you an

do,

- ti1

I'll I

die. die,

7

7 3 --1

-

ter

- ter

day day

1

af af

- ter - ter

to to

day day

I / L

cresc. poco a poco

3

-

af af

7

- ter - ter

1

cresc.

3

day day

d

-3-

3

af af

- ter

-

ter

i

I

I"

day day

I -

I

af af

- ter - ter

Till Till

the the

I

day day

af . af

days days

the

days

1

day day

io go

by! by!

go

I

I

- ter - ter

by!

Till

I

I

1

I

till till

the days the days

I

go go

I

I

by! by!

I

Till Till

the the

days days

60

%.om the d u s i c a t hoduction " d a h n y d e

With a swing (

cff gittPe''

J.= 124) NOW'

I

tale

1

bot - tom.

of

a dame known as

Har - ri - et, - Who climbed to the

A beau- ti - ful

life

was

O 1979 RILTING MUSIC, INC., BURTHEN MUSIC COMPANY, INC.

RANGE ROAD MUSIC..INC. and OUARTET MUSIC. INC. All Rights ~drninistered'b~ H E R A L SQUARE ~ MUSIC,INC. AU Rights Reserved Used by Permission

her aim

and, to

top

of

var - y

it,

the heap

this is the

from the

She wanted the

sun

and the moon,-

from her-

I

sub

who

i

-

And she got 'em.

climb,-

ject

she -

Uptown, Downtown: 2-7

she does

of

is.-

this

She is-'A't the

look

ev

-

'ning's-

back

quiz-

from

least

ex

time to-

Is

who

-

haus

-

ted

time.-

she

was

and

I

I

I

UP

- she's step - pin' out with a

Down

-

I

Uptown, Downtown: 3-7

town,

-

town,

swell. -

she's hold - ing hands on the

Hy -phen- at - ed Har - ri - et, The

El. -

nou - veau from New-

Ro -

I

I I

I

I

I

I

r I

UP

j

i

-

she's got

Uptown, Downtown: 4-7

the Van - der - bilt clans. -

nI -

town,

1

-

She

nd starts

to

pine

sits

for

at

a

stein

the Ritz

With her

with

her

dim.

1

thinks

of

the Ritz.

Oh,

it's

so

schiz -

o.

(* Uptown, Downtown: 5-7

\

Y

I

v-

I

-

1

I

rJ

I

Down

-

/I

\

town

- It's strict - ly Zir - cons and beads.

I'

Uptown, Downtown: 6-7

uI

I

-

1

I

-1

-

-

4

1

-

4

I

two

She's

I

-

of

the most

mis' - ra

ble

-

girls

in

town.

I I

U

Uptown, Downtown: 7-7

--

-

m 14Y-

-

-

%on tke dusical 'Phoduttion

"dahhy

Andante moderato (

d e

d %de"

J = 138)

I

Once

I

I

Now

A Y

v

v

W

me

down.

- ed this

Slush

cit

-

-

y, hu

y.

- mid, and

p sub.

I

,

L.

e,

it can't - get

I hat

I

n -

I

I

I

-I

=

grit

V

- tY,

-

I

I

I

w

What a

I l

I

I

I

l

-

I

I

I

I

w

8

pret - ty

town!

O 1983 Steohen Sondheim BURTHEN MUSIC COMPANY, INC., owner of publication and allied rights for the world CHAPPELL & CO., Sole Selling Agent AU Rights Reserved Used by Permission

I

C

I

4

4-24 4 What, thought I, - could be

1

I-

I

dul -

Now

ore

de-press

col - or

is

ler,

my fav -

or- ite

-

ing, less

gay?

A wall of

gray!

Piu mosso

rain

grime

as

it turns

all

the

to

sleet,

time,

The lack

of

And what

sun

more

on

a

one - way

do

I

need?-

I

I

A

V

What More Do I Need?: 2-8

r> I

I

I i

w

I 0

I

I

I

I J

street;

-

-

I

I love

My

win

r

-

r

-

the

dow

I

pane has a love

1

see

half

-

ly

a

view:

An inch

tree,

And

of

sky

what

more

It

I

win - ter

ev

What More Do I Need?: 3-8

-

en

the

fall

-

ing

and a

fly

do

or

iwo.

I

need?

Why, I

can

The

sim - ply can

snow looks

used.

-

My

win - dow

pane

I

love

you, -

light,

I'll

pay

But I

the

see

dirt

you,

no

So the view

is

bright.

heed!

love,-

What

more

Some-one's shout - ing for

What More Do I Need?: 4-8

do -

qui - et,

I

need?

Some-one's start - ing a

If

I

can

With

-

your

1

maynotgive much

brawl.

A

cresc.

,

Down

mf

the block - there's a

ri

-

ot,

And I'll

I I

A

I

I

I

-

I

I

I

I

I

d

8

4

all !

Lis - ten now, -

buy

I'm

ec

-

sta

,

I

I

I

V0

WL d u d

it

0

-

tic.

cresc.

,

I

Hold me close - and be

1

drill !

What More Do I Need?: 5-8

Hear the love - ly pneu - mat - ic

still.

A

sub -

way

train

thun-ders through the

I

d. Bronx,

1

crane

I

stairs.

A tax

mak-ing street

What More Do I Need?: 6-8

-

i

re

Steam - pipes

-

horn

on the corn

-

er

honks,

pairs,

A two

-

ton

child

bang,

Si

rens

clang,

-

But I

a-

run-ning wild

up -

And

what

I

more

do

sum - mer,

I

loud

1

plane

I

The

I can't - hear the

roars a - cross

What More Do I Need?: 7 4

the

need?

land - lord yells-

plumber

bay,

in

pound the

But

The

neigh - bors yell - in the

the

fall,

wall!

I

can

An

hear

YOU

as clear

aer - o -

as

I cresc.

r

With

What More Do I Need?: 8-8

your

love, -

what

more

do-

I

I

I

Ausic and

&fyhics bg

Stephen Sondheim MAN:

who,

I

blue,

I

by?

O 1981 RILTING MUSIC, INC. All Rights istered by WB MUSlC CORP. AU Rights Reserved

Know - ing there's

When

you

who- could be

some

-

near -

where

an

-

y - one

I

feels

your

their

So

I

now

low

how

could-

dim

to

my

has-

I

a1

to get

high. -

- low

An

eye?

With

- y -thing

you,

-

.

-

.

long - as there's

Little White House/Who Could Be Blue?: 2-5

I

you

with me,

The

on- ly

I

thing b l u e

is

the

II

We'll have

pick

r

-

ets.

lit - tle white house with a

a

A

Know - ing there's

blue,

house on a

hill Where, if

you

some

-

lit

- tle white 'fence

na - ture con - sents, We'll have

where

near -

-

simile I N

crick

-

ets.

Little White House/Who Could Be Blue?: 3-5

made of

-

r

rJ I

II

eas

-

feels

y

chair.

your

girl

are

there. We'll have

-

er:

low

"

Their

low

a

lit

So

high.

0th

fav - or - ite pipe and your

Your

8

Little White HouselWho Could Be Blue?: 4-5

-

y -thing

type

of

a

has - to get

- tle pink

boy, Then a

lit - tle pink girl,

how

A

an

fav - or - ite

now

I a1 -

could-

lit - tle snub nose and a

to

Then an -

lit - tle spit curl like her

dim

my

II I'

moth -

er.

eye?

YOU

We'll

stay

With

you,

with me, -

The

home nights with the

on - ly

P

I

\

7 C

thing blueI

is

as there's

the

I

-

f3

-

I

pers,

long-

a

I

-

nip

I

, I

house.

I Little White HouselWho Could Be Blue?: 5-5

I

I

I

I

J u s l c and

&l?yws by

Stephen Sondheirn Largo rnisterioso, poco r u b a t o (

Lie here

with

I

w

me

I

rJ

d = 120)

on

I

w

hrl v-

the

w

grass.

I

I

I

I

I

Let

w

I

rJ

I

w

I

hrl

the

I

I

I

XT*

0.

poco cresc.

wind

be

our words

O 1973 RULTING MUSIC, INC. All Rights istered by WB MUSIC CORP. All Rights Reserved

As the night

smiles

down.

Don't

they

1

know,

A

.

1

they?

No,

they

don't,

W

dim.

Sil - ly peeple, -

sil - ly peo - pie,-

sil

.

Silly People: 2-6

don't

-

ly peo- pie.-

Voi-ces glide by,

Let

them

float

in

their words

let

Till they slow -

them

ly

drown.

Don't

they

know,

don't

they,

What

they

Pa - tient and pol-ite,

I cantabile

When

i Silly People: 3-6

now

it smiles,

it smiles

for

lov- ers.

When

fools.

I

I

them,

Sily People: 4-6

The

I

the 0th

-

ers,

I

the

I

re

-

next

I

last

men1

-

r

it smiles,

it smiles

for

it smiles,

it sIfiiles

for

1

ber - ers,

Y

The tru -

ly

1

Them

I

all

and

and

US

...

a tempo

-

4

4

Lie then with

4

w

me,

clo

-

I , I

v

I

-

d,

- I

I

I

I

float in my

S i y People: 5 4

-

I

I.

arms

?

I

I

w

-

ser

I

still.

You

can

cresc. i

-

rl

Till we gent -

1

A1

:y

I

-

Ik-

drown.

I II

Don't

I

nr

I

they

1

1

don't

know,

A

l

\lY

-

'

!f

I

I

I

I

1

1

What

it

means,

----

, I

they,

I

0

?f 1

-

I

1

I

0)

Sil - ly

peo

- ple, -

-

I

and

Float

b:$l>b-

Y

m.

-

I.

down

Silly People: 6-6

I

r

I

I\

-I

L

u

u

I

flow

L II

?

r

-

- -

A.

I

go

I

L I\

11

w

L-•

we

'

And

w

u*

I

I

I I

.

morendo

-

1

r

dy - ing?

- ly peo- ple ...-

sil

-

,

L

To

drown.-

g h o m tke d u s i c a t hodu~ti~n" y o u ' h e g m n a d o l i e

omo oh how"

Ausie and Moderately fast, brightly (

This

is

gyhics by

Stephen Sondheim

d.= 64)

Is - n't

nice,

it?

I mean,

the

&ic.

This

is

nice,

Is - n't

O 1983 Stephen Sondheim BURTHEN MUSIC COMPANY, INC., owner of publication and allied rights for the world CHAPPELL & CO., Sole Selling Agent All Rights Reserved Used by Permission

it?

I

mean,

the

I

ply

Isn't It?: 2-4

and

de

- mand.

I

SO

Are - n't

right,

we?

I

mean,

for

Hold

me

We're

! i

tight,

Cling to

me -

I

mean,

my

hand.

cresc.

I

I Isn't It?: 3 4

feel

fine.

I'm

a-

I-

glow with

a

sun

-

day

Could I

shine.

be

fall - ing

IA . -d-

I

mean

I

grand?

P' Isn't It?: 4 4

to

say,

Well,

an -

Y

in - I

colla voce I

- way,

Is - n't

it

gh0m

the

d u s i c a j 'Phoduction " d a h h y

d e cff

gittoe''

8tephen 8or;dheinrd Allegro apionata (

I

Mar-ry

me-

d = 80)

a lit- tle,

Love me

O 1971 RILTINC MUSIC, INC., RANGE ROAD MUSIC, INC. and QUARTET MUSIC, INC. All Rights istered by HERALD SQUARE MUSIC, INC.

All Rights Reserved

Used by Permission

just

e - iough.

Keep a

I

Do it

I'm

read

-

L I1

W'

I

-w

I

- tance,

-

So we'll both -

Mar-ry

y!

- 1 ,

u

I I

-

,

me

be free.

a lit-tle,

Make a

a will.

-rl

Marry Me A Little: 2-12

der dis

with

simile

u \

-

ten

few-

I

I

I

r

r

-

u-

- 4 '

L

I1

0-m

1 7

I

I

I

/

I

-

de-maids I'm

-

sive -1y.

Marry Me A Little: 3-12

ab - le

That's the

to

f i l - fill.

way

it ought

to

I

I

I'm

read

You can

I

I

can

Marry Me A Little : 4-1 2

-

I'm

y!

be -

.

I

be

my

best

your

right

I

.

I

read - y

now!

friend.

I

I

arm.

-

poco cresc. r

Y

43.-

-

I

-

if

I

I o

I

I

"

. 3 4

/43

No

look

,

*

Marry Me A Little: 5-12

f

r

harm.

not

too

not

too

I

A ' v

--

rJ

I

I I

w

-43

We'll

We'll

far.

We

I

won't

have -

stay who

we

.

give

up

a

,

We'll

Right?

I

-

kay, then,

I'm

read - y!

molto rall.

A

I'm

Marry Me A Little: 6-12

thing,

are.

I 0

-

to

read - y

now!

Some -

one,

a temwo

I

Mar~ry

me -

a lit -tle,

I

Keep a

ten

der dis - tance

i

Marry Me A Little: 7-12

Love me

just

So we'll both-

-

e - nough.

be free.

I

I'm

Bod-y,

heart -

Al-ways

in

Mar-ry

and soul.

I

sim.

Marry Me A Little: 8-12

read - y!

Pas-sion - ate

I

con-trol.

me -

. a lit - tle,

as hell, But

I .

Want me

first -

I

and fore - most,

I

-

A44

it ought t%

if.

I

I

I

I-

read

-

I

Oh, how

be.

I

I

-I

I

Marry Me A Little: 9-1 2

I

P

I'm

I

I

-

J~-;2

I

0 I 1

we'll

A

I

I-,

I

talk,

.,\

-

,

r r

-

\

V

now !

I

ly

I

# n

I w

read - y

I

7

1-

gent

f I

- y!

P

7 :.

-

-__ d -

4'

4

V

/-

7

I

Oh, how

I

I

-

soft

keep

ly

we'll

un

tread.

-

said.

We'll

-

V

build

Marry Me A Little: 10-12

a-

co

-

coon

re

I

prom

nev - er

ise

col -

what

-

ev - er

you

like,

I'll

Right?

0

Many Me A Little: 11-12

You

lect.

I

i

-

-

I

kay, then,

I'm

read

-

y!

molto rall.

I'm

1

-

I'm-

-

w. Marry Me A Little: 12-12

read

-

Y!

read -

y

now!

Some -

one,-

g h o m the

d u s i c a ! %oductiok

"Sunday

Maestoso e non rubato (

I

Sn %e Tahb CWith

Aur and Qyhyhics by Stephen Sondkeim

J = 66)

Sun- day,

' by

the blue - pur- ple yel- low red

I -

- on the green

pur - ple yel- low red

0 1984 W T I N G MUSIC, INC. All Rights istered by WB MUSIC CORP. AU Rights Reserved

geohge"

-

-

grass,

-

wa - ter

/

Let us

sempre sim.



'.

I

I

our per - fect

through

Sun - day

I

Paus - ing

park,

blue tri - an- gu - lar

by the cool

on the soft

green

el - lip - ti - cal

grass

on

a

wa- ter

As we



-

I L

I

I1

I

4' 4

w

I

-----

#-

,

I

I

h

I1

I

I I

PI-

T

w

through

ar - range - ments

of

sha-dows -

4.P

Sunday - 5

I

towards

the ver - ti -cals of

poco rit.

7L

a tempo

ev - er... -

-

on the green -

or - ange vi

- o - let

dim.

I

In our per - fect -

I

8

w

Sunday - 5

mass

Of the

grass

RP)

park, -

Made of flecks of

light -

I

and

Y I dark, -

I

I Sunday - 5

I

poco I cresc.

I

--

cresc.

On an

I

is - land

94

rall. e cresc,.

,a

IU

-

I-

-

I

Sunday - 5

Sun - day ...

On an o r d - i n - a r - y

Sun- day ...

-

-

a tempo

Sun-day ... -

dkic

and &fYhics by

Stephen Sondheim Languid, but rhythmic ( J.= 100)

The girls

O 1956 Girls of Summer Co.

Copyright Renewed and Assigned to CHAPPELL & CO., INC. All Rights Reserved Used by Permission

of

sum - mer-

Get burned.-

un

I

I

Plus -

girls

of

-

done By-

They start

a

touch

the

of

sum - mer -

sun

Un -

con-cerned.-

in June,

a touch of the moon. -

sum- mer -

hey

The

Get fooled ,-

'Cause soon

the

sum - mer-

Heat

I

has cooled,-

And come

Sep - t e m - b e r

Things-

were hot

They can't

re

-

.mem -

ber why

in Ju - ly.

-

GI

--

.

I

Not

me!

.

'

I t ' s too

The

moon

-

lit

I

eas -

sand,

r

r

-

y - to

A

far-

A&-

,- ,

1

A

R

I

R nr

r

I

a

-

-

I

m

m

I

IJ

II

rl

way band And- that's

I

I

I

I

I

I

r r

.

I

A.

Not

all.

I - don't eas - i

rall. e dim. U

I

U

., 11

Nev

I

-

-

rl'

a tempo I

L

3'#'

1

I

er did, nev-er

--- --h

I I J 1 0 I

I

I

/

I

a.

I c3

b \

I

will.

The end

of

sum-mer's-

here

I

am

with -

the

same

-

un

dam

I

I

u u

-I I

That -

-

1

aged

heart -

I

poco cresc.

L

I\

I

I

I I

w

I had

-

-

h

I

4'

1

I

I

-*

at the start.-

-

I

The girls

of

sum - mer-

For - got

to run.

The

girls

of

sum - mer-

Were bound

to. lose.

The girls

of

a tempo

rall.

- .

all

I - have noth- ing but blues.

the fun. -

I

colla voce

1 a tempo

sum - m e r Have

Aaic and

&fYhics by

Stephen Sondkeim Larghetto ( A

slow,

Fmaj 9 (no 3 rd)

F

It start

1

= 72)

- ed o u t like a

with no

sur - prise,

O 1981 RILTING MUSIC, INC. All Rights istered by WB MUSIC CORP. All Rights Reserved

song.

-

and then one morn-ing

We start - ed qui

I

woke

to

re

- et

- a1 -

and

ize:

we had

Fmaj

I

a good thing

(Polychord)

-

-

go

ing.

It's not that noth-ing went wrong.-

Bb/F

Some an- gry mo-ments of

course,

Gmll

more,

be - cause we knew

and on - ly mo-ments, no

but just a few,

Cl3sus

we had this Good Thing Go

-

ing.

Suict tempo, non piti mosso F7sus

I

And if

I want - e d

too

much,-

was that such

-

a

mis

- take

at

the time?-

G7

-

.- -

I

I

I

I

F a tempo

c 7 ( b 9 , b13) poco rit.

C~SUS

I---_ -- _

I

r

A

-

w

-~

that

a

crime.-

a - long,-

And while it's go - ing

I -

Good Thing Going - 4

you take for grant -ed

some

love

will wear a

-

way.

We took for grant-ed

a

lot

and still

in - stead o f

l

I

say

just kept

it could have kept on

on.

go

-

ing.. . -

L l V l L

?-'

n

I

k

I

Y

U

I

Fmaj9

gone.

Good Thing Going - 4

-

poco rit. I

I

grow -

-

rn I 1

I

dUSit and $!yhits

by

Stephen Sondkeim Adagio (

J = 96)

I

I

p

I sim.

sostenuto

MUS~ have

a

cast

-

le. -

01973,1986 Stephen Sondheim CHAPPELL & CO., INC., owner of publication and allied rights for the world A11 Rights Reserved Used by Permission

said the

es~ress.

man

for

I

A man of

I

means

he'd

man

I-

Who had-n't

'

y,

With-out

pen

a

-

ny

-

-

-----

his

To

a

I

@J

-

an

1

planned

I

So Many People: 2-5

I

from

I I

name.

I

rl

I

I

e

I

v d

all

t

I

- the mag- a I

r

d

had to

i

! 1

0

.

- zines.

-

I

I

go

u/

and

-4 L

-i

h

l

-

1

I should be

good

Non rubato (

and

sore:

I

What am

hap

py

I guess the

for?-

6 = 48)

nev - er know love

They'll

what can they do?

I I

u

So Many People: 3-5

-

.

I

2

I

I

I

I

I I

1

rJ

Like

..

I

r

I

I

1 I

I

I I

u

1

J

that's their

con - cem.

If just

a

few, say half

rit.

world

So Many People: 4-5

~on't

know what they've missed.

a

mil -lion or

so,

Could

a tempo

They'd

n

I

~

3

1

a

r

I

nev

- er

--/7

1

h

m

be

I

-

lieve

1 I

I

I

I

a

A.

I

I

I

I

rn I

-

4

1

?> I

I

+----A I

Such

joy

.razz.

So Many People: 5-5

/ a

r

a tempo

I

could ex - ist.

gh0m

the

d u s i c a t hoduction

"ghe%kegs"

Jutit

by

Stephen Sondheim Adagio (

WP i Pai rn shaiespeake

J = 104)

I

Fear

1

no

more

the

heat

o'the

Poco ru bat0

poco rit.

sun,

Nor

L~

I

the

fur

ious

-

L

I

Win

I I I

ter's

-

,k

I

ra

ges ;

I poco rit.

I

a tempo

hast

O 1974 RILTING MUSIC, INC. A11 Rights istered by WB MUSIC CORP.

All Rights Reserved

done,

Home

art

poco cresc.

dim A

r

I

gone

np,

and

ta'en

I

I

1

I

D

all

girls

wa

dim.

----

m

I

thy

must,

-

ges:

-

Gold

-

As

I

I

1

I

I

I

J

I

chim

-

ney

I

t-

1

1

1

I

I

-

I

--

lads

I

I

- sweep

,

I en

P I

I

I

and

--t-

-

I V

ers,

come

to

P I I

----

I

I

d

dust.

I

I

I

I

d

Fear

I

I

I

f

0

no

more

the

p o c o cresc. I

I

--

I

light

( Fear No More: 2-3

-

ning

flash,

Nor

the all

u

-

1

I

w

dread

-

ed

thun

-

der -

1

stone;

I

-

not

slan

ish'd

joy

-

der,

cen

sure

-

rash;

i a tempo

ri t. ! 1

thee

I I

I

I

I

1

m

!

u

and

come

to

dust.

I Fear N o More: 3-3

--

w

4%

rall. I

-

I

- I

-

A I I

I u

by Stephen Sondkeim

dusic

Moderato ma poco rubato ( ] = 80)

--

Let me see the world __

with clouds,

Take me to the w o r l d . .

O 1966 Stephen Sondheim (Renewed) BURTHEN MUSIC COMPANY, INC., owner of publication and allied rights for the world CHAPPELL & CO., Sole Selling Agent All Rights Reserved Used by Permission

.___

and g Y h i C s

!

I 1

A I

I

world

~hat

1 - t -

I

'*

--

I

-

smiles,

With

-

1 d' I

h

-

1

in -stead of

streets

I

I

I

I

I

-

aides,

Where

ralI.

poco accel.

t !

4

-

I

a

---I

4

I

I

Teach me how to laugh,

Take Me To The World: 2-5

I

!

I

I 1-

I CJ

J

4

to

feel.

t

! 1

1

1

O

- -

I 0

r--I

A

1

I

I

A

w L - .

I

I

/

Move me to the sun. --__-

Just

n

dim.

--

I

I-

I can

Take me to the world Where

- 4' be a -

--

u

live!

I

I

Let me see the world

n

-----I

,

i !

t I

I

1

3 4 - o-, N Take me to the world. --____

1 Take Me To The World: 3-5

II

I

1

-

Some-where I

I

that

1 :

I

1

1

I

I

1

I

3

u \ / -

can w a l k -

smiles,

I

!

rJ

4

for miles,

I-

1

Take me to the world.

grow

-

-

ing in

the

With

ground,

Where

all

birds

a

that make

a

- round

Things

sound

are

I

0,

birds. -

V

8

I

I

I

/

We shall see the world _ _ _ _

"

come true.

I

il

h'

I

V

We shall have the world.

1

4

I

rl

Take Me To The World: 4-5

I won't be

a - fraid -

with you.

-

.

We shall have the world. --

I'll

hold

your

hand

And

,

cre sc.

I

-

know

I'm not a

-

We shall have the world -

lone.

_

to

.

keep.

r

cre FC. I

I

a

a

-

!

--

rubato m

-

I

-

We

dim. poco -- a

poco

-

1

-?-A-

I

own.

Take Me To The World: 5-5

-

--

for our

T I \a

r r

rn

4

118

%on the

Jllsicao

'Phoduction

"Sunday 8n 3 h e 'Pa& Wtk

geo,tge''

JUS~C ond LfYkics by Stepher Sordheivn

Moderato, rubato

Yes, she looks

for me- -

Con moto, poco rubato (

~ 3 - 3~

tell

3 ~ 13 - 79

me why she left

O 1984 RLLTING MUSIC, INC.

All Rights istered by WB MUSIC CORP.

All Rights Resewed

me ... as 1

Let her look for me

good.

to

= 132)

a1 - ways knew she would. ---___

I had

poco rall.

a tempo, non rubato

an- y- bod - y could ... --

1

Fin - ish- ing the

fin - ish the hat. -

Finishing 7'he H a t - 8

:

& 'dim. f i P

hat,

'

how you have t o

How you watch the

rest

of the world

from

a

ten.

I

what you feel like,

plan- ning

-

I

What you feel when

dis- tance and die,

I

Finishing The Hat - 8

voi

- ces

that come:

through

u n - ti1 there's

-

a .

a

tempo

win - dow go un - ti1 they

the

noth

a sky.

-

ing but sky.

i-

And how you're

will - ing t o wait's-

I

night,

. Finishing The H a t - 8

not

the

a1 - ways

turn

ing

back t o o

find wait

kind that yod want

diz

-

-

zy from the

-

late-

from the

ing to re- turn y o u to the

height,

cam- ing from the

i

hat,

stud -

w

I

hat,

I

--

I

I

I

reach - ing through the

I

this one from that.-

Finishing Tile H a t - 8

I

en - ter - ing the world

t

v

-

i

, I

world of

1 I

-

of the hat, _

-

7

4

-+

A . i

the h a t like

-

y - ing the

I

I

I

-

I

Z r i

win - dew,__

I

a

I

ten.

I

1

I

-

i

rn a

-

Stud - y - ing

I

face,

back to

--

/

.-

step - ping back to

look at

a face.-

leaves

rall.

a tempo

rall.

a tempo cresc.

a

u

-

--

ra 11.

r1

a tempo

ten. a tempo I

1

It's

the on

- ly way to

that

you

see.

f worn

> Finishing The H a t - 8

- an

lit - tle

w a n t - ed

g o e s , you can

w

-

:

I

-

__what'

I give."

But the

worn

-

an

who

.won't

w i t for you knows-

that,

how

J

I I

map- ping o u t the

sky,

dim. c

/4

~ Y : ~ ~ $ L ! J J J ~: -y u *

I

Finishing The H a t - 8

n

- -

-

LmpJAJJ--JJ

8

-

8

fin

- ish - ing a

-

hat ...

J -A n n

J

Start

- ing on

a

hat ...

hat ...

Fin - ish - ing

Look,

I made a

I-

I

hat..

Where there nev

. -

hat ...

u

-$

Finishing T i e H a t - 8

a

>

- e r was a

1 26

g h o m the ,AusicaI qhoduction

''&ahkg

,AEcff $fittee'

by Stephen Sondkeim

d u s i c and Allegretto (

5fgiics

J = 108)

BEN:

I-

Here, -

kid. -

Look,-

1971 RILTING MUSIC, INC., RANGE ROAD MUSIC, INC. and QUARTET MUSIC, INC. All Rights istered by HERALD SQUARE MUSIC, INC. All Rights Reserved Used by Permission

I bought you

flow

- ers. -

cresc. I

U

h

-

I

I

i' A -ww

All -

u

things -

I I

-

per

I I

You, -

kid, -

I

I

fect

For

poco rit.

-

-

r,- , I - , K

W

I

I

v

you.--

I I

a

r

I

m a - n e n t and

per -

poco

I

1

poco

I

I

__-

r

i

I

mean

u tempo

all

things

Bright

and

beau

I

Ev - 'ry - t h i n g f o r

All Things Bright And Beautiful: 2-12

-

ev

-

L

-

-

ti

L l

%(T

P I

I

er,

yours,

ful,

kid,

-

1

Ev - 'ry - thing for -

ev

-

come

all

er

======-

dim. 1

. 1

r;r ---

I

I

I

I

.

----

I

I TJ-

/

--

I

I

I /

1

rr

1

L

r r

true. --

SALLY:

I

'411

things

Ev-'ry -thing for -

All Thing Bright And Beautiful: 3-12

ev

bright

-

er

all

and

beau -

corn e

ti

-

ful,

1

true ...

I

BEN:

-

Wait,-

Ev

kid, -

'ry

-

-

1

-

I

c

I

w

Night, -

I

noon, -

Trust -

All Things Bright And Beautiful: 4-12

me,-

I

1 1 1 . I n

II

I

-O1 --

day. -

an

flow -

rnin- ute

T

I

I

I

ers,

r<

I

I_o __-A

-

y - thing you want

1

You

just

1

cresc.

poco

a

Poco

rall. I I

-

I

ma* 1

I

-

a t e m p o , poco ruhato I

I

things

,

r

I -

Bright

a tempo r

L I

,

&

lit

ll -

m 1

beau

and

L I

Ev - 'ry - thing for

All Things Brigllt And Beautiful: 5-12

have

poco rit.

f,. all

A

I

I

You'll

say. ___-

kid,

n

i

I

I

- ev -

-

er,

ask

-

ti

-

ful,

-

SALLY:

g.------------

I

I

I

All

II

Ben,

I

D-

I

I

-

things

can we go

to

Par -

bright

is?

and

beau -

ti

don?

Ben,

can we go to

Lon

-

course

we can go

to

Par

-

-

ful ...

BEN :

I'

Of

I

-

All Things Bright And Beautiful: 6-12

is

Or

I I I

SALLY I

\

Bright

BEN I

- don

I

I

things

Lon

a

I

f

r

1 I

and

m I

beau -

P

I

I

I

f

I

I

ti

I

-

ful ...

----I

I

Ri

or

o,

-

You

it ...

name

(SALLY):

I

Ben,

I get

so

ex

- ci -

I

ted

All Things Bright And Beautiful: 7-12

-

ly

can

breathe ...

a tem~o

rall. molto

I

hard

Let

them

laugh,

--

Just don't

leave

me.-

SALLY

li -

right,

Just don't

__

leave

-

me

gain.

-

Let

them

I Ben, we'll be

Ben, we'll be II

to

-

geth -

er

to

mor

row. --

I

won't

leave

you. -__

on

Mon

ir

ev -

to - geth - er

-

I

won't

day. -

I

-

All Things Bright And Beautiful: 8-12

Nev -

er

'a

-

gain. You'll

be

And we'll be

t o - geth -

mine.

I!

er

to

-

mor - row

and

hlon - day

and

Mine

to

-

mor - row

and

Mon - day

and

Ap

-

ril

and

Christ - mas

and

Look,

love,

Ap

-

ril

and

Christ - mas

and

Look,

love,

-

Ev- 'ry - thing is

flow - ers!

-

Red !

-

Pink!

I

Blue!

I

look will

Soon,

love,

Ev - 'ry -where I

BEN

be

you,

love,

you!

And that's

molt0 rit.

ff

BOTH

YAll Things Bright And Beautiful: 10-12

f-

Sos. ped.

/

a temuo

-,

~

-

-

Ev - 'ry -thing for -

Ev - 'ry - thing we

I

do!

All Things Bright And Beautiful: 11-12

ev -

nev -

er,

er

ours,

kid,

did,

we'll

I

And we'll be

And we'll be

-

to - geth

to - geth

-

er

er

on

Ap

- ril

molto rall.

next

year

and

All Things Bright And Beautiful: 12-12

a1

ways ...

and

Christ - mas

And

138

Shorn the d u s i c a P hoduclion "Aehhdy

Wc Qoee

&eong'

dusic

ad &fyhics-b9

Stephen Sondhei~ Moderato

(el

= 168)

Hey,

Friend,

are - y o u

o

II

kay,

-

I

O 1981 RILTING MUSIC, INC. All Rights istered by WB MUSIC CORP. All Rights Resewed

sempre sracc.

Old

Friend?

I

Old

What-

do you

I

1

I

nique?

chang

Time

-

ing.

You

Most

1 I

gade.

New-

goes

ones are

and

we-

friends

quick

fade

-

-

ev

by,

ly

o

made

r

'ry- thing

get con

-

they don't

and,-

in

else

tin

- ued

make

a

pinch, sure

keeps

next

week.

the

they'll

--

But

Friend?

Here's

US,

to

I

Friends?

No

-

Old

us,

Hey,

one can

I

I

Who's

Old

say,

Friends,

Old

I Old Friends - 7

us?

./

what's-

to

r '

I

r*

Damn

how-

rir. e dim.

-

IT

I

Friend,

like

L

.*

I

do

I

I

m

I I

-I

dis

-

-

I

cuss,

Old

few.

we

Friends,

stay

Old

how-

an

old

friend - ship

sur

-

vives.

One

day

chums

-

hav

ing

.

a

I i

laugh

a

min

-

ute,

one

New

1

volv

ing

I

-

Old Friends 7

door.

friends

May

-

be there's

comes,

pour

one

and - they're a

through-

that's

I

the

re -

more.

I

Friends,

1

Two

'fI

'spe

you find

-

cia1

- ly

Old

Got

one,

you,

Old

Friends,

-

ta have

that

do.

'11

Friends, here's

few

to

-

But

us!

er won't

Who's

like

two

Old

us?

do,

Old

elp

-

lng you

J -

I

I

-

bal

braids

A

I

you-

foryour

mf I

-

A

per

I

-

I

Vl

that

Most

friends

fade

I

the

-

o

r

I-

-11

I

m

-

I

I

I

UP -

cies,

-

m

you-

I rl "

fan

and

I

I

I

One

"

suades

a

I

long.

faults

1

L

I

one

-

a

ance

-

I

I 1

I

-

r

i

4

r

t

ar

-

I

I

0th

-

I

I

1

they don't

er

I I I I I I ?J

1

make

wrong. -

one's

I

I

n

the

I

grade.

1

Friends?

I

New1

Here's

Damn

ones are

quick

to

few! -

-

ly

made,

per

us!

-

fect as

Who's

I

long

as

like

I

1

I

they're

us?

I'

I

+ 1

>

Old Friends - 7

- u

Index by Productions EVENING PRIMROSE Take Me To The World . . . . . . .

THE FROGS Fear No More

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Invocation And Instructions To The Audience .

. . . . . . . . . . . . . . . .

110

2

A FUNNY THING HAPPENED ON THE WAY TO THE FORUM I D o Like You

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

34

A LITTLE NIGHT MUSIC Glamorous Life. The

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

17

MARRY ME A LITTLE All Things Bright And Beautiful Girls of Summer. The

. . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

126 95

Little White HouseIWho Could Be Blue? . . . . . . . . . . . . . . . . . . . . 63 Marry Me A Little Silly People

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

78

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

68

So Many People

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Uptown. Downtown

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

What More Do I Need? .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

105

48 55

MERRILY WE ROLL ALONG Good Thing Going

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Not A Day Goes By Old Friends

101

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

44

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

138

SUNDAY IN THE PARK WITH GEORGE Finishing The Hat Sunday

. . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . .

YOU'RE GONNA LOVE TOMORROW Isn'tlt?

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

74

From the stage'to