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ORNITHOLOGY

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Bom in Iknsas cify

in

1g20, charlte Parker was the only son of charles and Addie parker. His firsr

&nt4il'witl'ausiai@;ry,,

*.;ar1*pnitplayed,b.d rorc:homintheschod,timd, r,rAtsea#.4,,t$;'Fark€i.stffedr*howiagEeat;nte@nft alio

.aea$t*,ap*ys ioming,

j

,s_axophn"*,*u* to rhe musier,,hCI

"!iryn*,,i0,.:Kansas, eiryrnr$spots

i;':

i3< he: left schoor:lo, .,.c@etoly''oediatehimself to b,eing u*f@t*.;@*iihsev,erarr&nsasrcily,,i z.and,blues bands, i,, -liilc..h.on!! hii'@,rn.lg3st pafkei@nma;r@rtjayl{esn iing.inchicago and

n;i

in*m'nrkl1.igt9;@ *,eitm@aiwwtr1* wortru,g, " "asl;ti;k;idid'mlsician and sittingrn oh,i isims,?he criargd,m a oiprere*'ia*ing, parker's to ''NewYork.'I{c.m*ilc'ihe'moveto,tiv0 have an influence on

playing style.

tne*mingto'fu* a$ tq attend ruq f,,+!lt ,p ieedJay,Mcs-h andin,1g4o:made:,1 lr,r,t ss ,*cioiding ihe-'q4'He.goi'trr; eeio, n 0fdinss,i.ucti,,as,,,. nn"*;"-* d.the ,tg4t''hii.iteo*erqiqg ""sepjan..B0unci,llI :'P11keiia1-in$i@'sest-i

th;'g

.a'.*6,*i11

,rr,uart4,eatql4lgl .:eai:ot,suif

-r.Theloai0usuoak'.thar same year he b{q.ke.otrrio*,uistr;nr

'

months;:ie

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$hann*n,1'!42,, "$zElr,G,illespie;*d.-

*a,iuroea$itii$ ''rlioo;;;*;

''wirh.o,i4 Gille ie,, 8t tg4+, ?rrke...i rmeiple werepdoiBilly.Eckstineis ,band;.,, ng*ith.othAi'up,,and-comin$g.@eii;'Parker headlinedhis own g@,lr,i g,194!,,r@4g,,, er,oi'ttrat .ta;go'llwqod'inDee P.e rtt*ie,wore'trisiorii'porfo leq,b,orh,therlaid-r

.siih

r,thd$

,Parft'er,earuinudtspeftm.in

,engCGs

'tl pittt-

until t-g46;,*r,in,hersufOiedr.drv;;, breakdown and ..6itreroin.ard aleohol adoroiru,ntr* b:e.6ffeleasld:

'o *or. r...oro, i., irr. o,;l;;i ;;il ;i [email protected] 4ln*i'onrisrinsof Miteq,Davis, Dukelor-C,, *:1?ji: tommy potler and Max Roach.

,

1947, Parker continued working in Los Angeres, making

.','rarkeii',ec e'1a{

,6

ilfe'fro*.i g+r

,ti.tgi\p iroui'iunca*;t

,.,aqd..tq,u,ring.ryi&lazi'ar&P,hilhaimbnii,'fnirer-c,rS,utont*u*iii**i;.idi+i,,,'1ii

-"*ntud''b,ianre'@o

rnoit,po'putar recordlngs he,ever

did;i&firatrii

4sr

perrform*.gr,,

rb*dodlio,hisr,lire;

:.,,Fx&cr's,'dep.endelce'*td@,*oiiena*:.ae'-b 't" '!ei.a.rep*tatiq*,fu..5eing{no;-sh*wi a,f: pedormances' even pawning his saxophone several times ro keep his rr.iti grtrs li.ur. to a head in

'..1951rrwhen:P-arker:i.Ne*,York, areiilceqse waqrwolad b1r,.the:dq4,,,mrc'otiesr5gu;,irrr-,U*"r-, was reinsrared rwo years larer. but the damage naa

il;;;ffi;;

ffi;

uv"niyn.., a.r., ir, '*nd,he,hnicdariemired,$ieidebffiic.co hi*r& g.lese Hosoitar.in igs+, orr.tirpuulie .'4pp,eai w.asat.Bir{and, the club n .11t,1ti*rhong ,i g55,.yarker,.died,$even,,{nys,f6tsr.,.:.:.* ,.'Cidi'lie.ipirkei'hai.t6-m o'be' know,n,as oneffihe,mosr@n*iri*iz'muin*,i;tiffi of the idiom' His stylistic innovations are a constant source of inspiration !rv'r that r'4r Lvrrtrrrur continue to LU be us ed on from musician to

musician

,

The Bird lrsm 20th Cenlury Masters: The Millennium Collection (Verve 29002) By Charlie Parker sb A'tto Saxophone

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Bird Feathers lrom The Legendary Dial Masters, Vol. /(Stash ST-CD-23) By Charlie Parker Pb

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