Dance Steps Of Kuratsa 11j1f

What are the dance steps of kuratsa? KURATSA (Tacloban, Leyte) Introduction. a) Partners inside hands, free hands down at the sides. Starting with the R foot, take three steps forward (cts 1,2,3). Put feet together and bow to partner or audience (ct 1) [2M] b) Dancers separate about six feet apart. The last two counts of the music are not played until the partners are in their proper places. FIGURE I. Music A. a) Starting with the R foot take three steps forward to be side-by-side (L to L shoulder) at center (cts 1, 2, 3,1); transfer weight to R foot in rear (cts 2), transfer weight to I Foot in front (cts 3). Hands down at the side and swing naturally in time with the music or the girl holds skirt, boys hand on waist while doing the four steps forward on cts 1,2,3,1. Right arm in fifth position and L hand on waist when transferring weight on cts 2,3. [2M] b) Starting with the R foot, take four steps backward to proper places. Hands as in (a) (4 cts), two-step turn R in place, girl holding skirt, boy's hands on waist (2cts). [2M] c) Repeat (a), this time the partners stand by each other's R shoulder at center. [2M] d) Starting with the R foot, take four steps forward to partner's place (4 cts), two-step turn R about to face partner (2 cts) [4M] e) Repeat all (a to d), finishing in proper places, facing each other. [8M] FIGURE II Music B. a) Sway balance with a raise, R and L. Arms in fourth position, R and L arms high or bent at shoulder level, opening and closing with a forearm turn [4M] b) Execute three waltz half-turns R to partner's place (one waltz step for every half-turn) Forearm turns R and L alternately. Finish facing partner. each other by L shoulders [3M] c) Repeat (a and b), finishing in proper places [7M] d) Repeat all (a to c) [14M] FIGURE III Music C. Face L - Boy faces audience, Girl, away from audience. Starting position- R foot in fifth in front. a) With the R foot leading, take seven mincing steps moving sideward R toward partner's place (take six mincing steps for the first three counts and only one on the fourth count). R arm in fifth position, L hand on waist (4 counts). Turn R about on the ball of R foot (2 cts) [2M] b) With the L foot leading, repeat (a) going to partner's place. Reverse position of the arms (4 cts), turn L about on the ball of L foot (2 cts) [2M] c) Repeat (a) [2M]

d) Cross-turn R. Bend trunk and knees slightly while turning and straighten them at the close of the turn. Salok L hand across the body while turning R hand on waist or in fifth position. Finish facing each other [2M] e) Repeat all (a to d), finishing in proper places facing partner [8M]

FIGURE IV Music B. a) Repeat Figure II (a) [4M] b) Starting with the R foot take 2 waltz step forward to form one line at center facing audience, girl stand in front of the partner (2M). Pause (1M) [3M] c) Take four waltz steps sideward, R and L alternately. Arms in lateral position, moving sideward Rand L alternately.[4M] d) Repeat Figure II (b) [3M] e) Repeat all (a to d), finishing in proper places [14M] FIGURE V Music C. Face L as in Figure III. a) Execute tiny steps moving to sideward R. The R foot steps forward and backward alternately, while the L moves little-by-little to sideward R. Partners meet at the center in a back-to-back position at the end of the fourth measure. R arm in fifth and L bent at shoulder level [4M] b) With partners in back-to-back position and close to each other, continue doing the same step, turning clockwise in place. Arms as in (a) [4M] c) Partners face each other, c. Continue doing the same step moving clockwise. Reverse the position of the arms every 2 measures or on every measure [6M] d. Waltz-turn R to proper places. Arms as in Figure II (b) [2M] FIGURE VI Music B. a) Sway-balance with a hop, r and L. Arms in fourth position, R and L arm high alternately [4M] b) Take two waltz steps forward to meet partner at the center. Arms in lateral position, moving sideward R and L (2M). Pause (1M) [3M] c) R arm bent forward at shoulder level, L arm in fifth position. Point R foot sideward (cts 1,2), point R close to L in first position and bend body jerkily toward pointing foot and at the same time lowering R elbow close to waist (ct 3) [2M] d) d. Repeat (c) [2M] e) Starting with the R foot, take two waltz step forward to partner's place. Arms as in (b), ing by R shoulders [2M] f) Waltz-turn r about. Finish facing partner. Arms in Figure II (b) [1 M] g) Repeat all (a to f), finish in proper places [14M] FIGURE VII Music B. Play faster and once only. a) Starting with the R foot, take two waltz step forward to meet at center. Arms in lateral position, moving sideward R and L [2M] b) With the girl leading, partners waltz to any direction as if the boy is chasing the girl. Girl turns around to face partner once in a while, then continues to move in any desire direction. Arms as in (a) [10 M]

c) Partners inside hands, Girl standing at the R (1 m), bow to each other or to audience (1M) [2M]

Carinosa 1. Lesson 2:lets dance the Carinosa
Karen B. Velasco
2. Carinosa..

• One of the national dances we should be proud of is the CARINOSA. This is a courtship dance known through out the philippines with its flirtatious movements. The word “carinosa” means affectionate, amiable, or lovable. Ther are many versions of this dance, but hide and seek movements using a fan and a handkerchief are the most common.

What are the basic steps of the carinosa?
1. three steps and point
time signature: 3
4
count : 1,2,3 to a measure.
movement : with the R (L) foot; take three steps sideward right, ct.1 (count 1,2,3)
point L (R) foot in fourth position in front (ct.1,2,3)
2. Touch step.
Time signature: 3
4
Count : 1,2,3 – 2m.
Movement : point R (L) foot in fourth position in front (ct. 1,2,3)
3.Waltz step
movement : touch R (L) toes forward (cts. 1,2)
close R (L) ct.3
4 .Manipulation of fan.
3. What is the carinosa?
A. background/ context
This flirtation dance is known throughout the philippines. Carinosa means affectionate, lovable or amiable. With a fan and a handkerchief, the dancers go through hide and seek movements and other flirting acts expressing tender feeling for one another. There are so many versions of this dance but the hide and seek movements are the most common.
4. B. Dance properties
Costume:
Female: Balintawak style costume or patadiong and camisa. Girl has a fan hanging at the right side of waist.
Male: barong tagalog, any color of tros. Boy hasd a handkerchief in his pocket.
Music : 3 composed of two parts : A. and B
4
Count : one , two, three to a measure.
Formation : partners stand opposite and facing each other about six feet apart. When facing the audience girl is at right side of boy . One or more number of couples may take part in this dance.
5. C. Movements
Introduction
Three steps and point
Pointing
Back to back
Hide and seek with fan
Kneeling and fanning
Hide and seek with handkerchief
Flirting with handkerchief
Flirting.
6. Dancing the carinosa